My blackwork grows out of graphic drawing: I decide what turns solid black and where the line itself shows.
About the style
My blackwork starts with the design, not with trying to cover as much skin as possible. I look at the composition first, then decide where solid black is needed and where it is better to leave open space. This keeps the tattoo easy to read both up close and from a distance. I shape it to fit the body, especially when the design covers most of an arm.
Blackwork suits people who like bold black shapes, ornaments and solid areas with a design running through them. It can range from a single silhouette to a large composition. If you want more open space and less black, have a look at fine line.
At a free consultation, by message or at the studio in Vračar, we'll decide what to leave open and what to fill in black. Then I'll draw the design. Before the session we'll try it on with a stencil, and I'll draw in some of the lines and adjust the position with a marker. A large piece can be split over several sessions.
Solid black areas may flake more heavily and look dull for the first few days. That's normal. I'll give you aftercare instructions and stay in touch if you have questions. Don't pick the scabs. You can read about how it changes later in how a tattoo ages.
Pricing
A small black symbol or sign under 5 cm. Even at mini size, I choose where black goes solid, so the drawing doesn't turn into a blob.
From 5 to 15 cm — a composition with larger black areas and graphic detail inside. I draw the design to fit your placement and size.
A large black composition from 15 cm, often over several sessions. I'll give you the price and number of sessions once I've seen the idea.
It's free with your session. I draw it based on your idea and references, and then we go over the details together.It's free with your session. I draw it based on your idea, and then we go over the details together.
About
I've been tattooing for over 7 years and work in almost every style: graphic, minimalist, anime and more. I also do gold tattoos, which are my signature style. You can see examples in the portfolio.
I want your tattoo to make you happy for years to come. That's why we talk through the idea, placement and size in detail — and then I draw a design just for you, rather than simply copying a reference.
I work in a lovely studio in Belgrade. During the session there's always tea or coffee and something sweet, and you can put on your favourite music or a film. We can chat or just sit quietly, whatever you prefer.
After the session you'll get aftercare instructions, and I'll stay in touch until your tattoo is fully healed. Feel free to ask me anything, any time
My socials
No pieces in this category yet.
Reviews
Beforehand, Olga helped a lot with the design: she explained what would work best and how it could be developed later. Then we refined it together and made changes until it was perfect. During the session itself everything was very gentle, delicate, precise and quick, plus a pleasant chat. Thank you!
Olya is a wonderful artist, everything is sterile and cosy, and there's tea with raspberries)
Endless thanks to Olya for a beautiful, fast and complex piece of work🔥. A lovely girl with wonderful skill and talent😻 Score: 10\10
I spent a long time choosing the theme of the tattoo and the artist. I chose Olya. Best decision! She's very receptive to ideas and talented at bringing them to life. If you're unsure, just talk to Olya and tell her what you want, and you'll understand the rest yourself) Everything is safe and comfortable, and the service overall is top level! I'll be back again and again and again.
All roads lead to R̶o̶m̶e̶ Olya. This is my 9th visit for a killer tattoo, and I'm leaving with one. I also drank three mugs of tea, ate some sweets and had a nice chat. In short, come :)
A very pleasant atmosphere. The artist is a professional: everything is sterile, she only works in gloves, tattoos quickly and without mistakes. She can keep a conversation going or put something on in the background, which really helps when the piece is big. In my case it was over 6 hours, which I barely noticed. Most importantly, the result is exactly what I wanted. Thanks again🤗
FAQ
About the design, long sessions and adding blackwork to an older tattoo.
I rarely take on reworks of older tattoos. I can only tell you whether I’ll take yours on and what it will cost from a photo and a detailed description of what you’d like.
From half an hour. Sometimes we do a large composition in one long session, sometimes we split it — depending on size and how you feel.
No. An idea or a couple of pictures will do. Drawing the design for your placement is my job, and it's free with your session.
In graphic work the line and hatching carry the drawing; in blackwork, solid black does. They often meet in one piece.
Yes. A sleeve is a big piece, so we plan it in parts: the composition first, then the order of sessions.
Location
Open for bookings
This is where I tattoo
ABOUT THE STUDIO
I work in a small, cosy studio in Vračar, Belgrade. It's a 5–10 minute walk from the nearest stops.I work in a small, cosy studio in Belgrade's Vračar district. It's a 5–10 minute walk from the nearest public transport stops.
ADDRESS
Cerska 115, Vračar, Belgrade (Crveni Krst area)
HOURS
12:00–21:00, by appointment
LANGUAGES
English, Russian, Ukrainian
Pick a day that suits you and email me. Or message me on Telegram or Instagram
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